But also expect to find hidden gems of the subgenre, underappreciated franchise entries and plenty of films that will leave you wondering if what you saw was true. We at Paste enjoy horror of all flavors, so our ranking of the best found footage horror films include movies both from our ranking of the best 100 horror movies of all time, and our examination of 100 years of horror movies. An unstable camera, hyper-realistic performances that feel intentionally non-professional, the blurring of fiction and truth through framing devices-found footage has defining markers of its own, but it’s a truly distinct and diverse subgenre that’s got so much more to offer than Paranormal Activity (and even that movie is unfairly maligned).Īs found footage has evolved alongside technology, either through freaking out a new generation on TikTok or by updating its methods of being “found” for the digital era, the subgenre has proved itself one of the most flexible and welcoming to filmmakers looking to play around with form and to scare the bejesus out of us. But a relatively modern subgenre innovation, the found footage horror film, seemingly throws all that out the window. Creepy sets and props, outrageous kills, gruesome makeup, and camera moves perfectly designed to deny us just enough-horror owes more to its consistent visual language than perhaps any other genre. It's well worth your 90 minutes and I predict bigger things ahead for the Pierce brothers.Horror movies made us jump for decades thanks to their calculated constructions. The Wretched is a charming throwback and proof positive that you don't need to reinvent the wheel to make a good horror movie, just keep to a vision and see through the story to best serve and elevate that vision. I only wish the movie had given me even more. There's a very late twist that I should have seen coming but made me want to start clapping, and it works entirely within the carefully set-up rules of the supernatural monster and supplies an organic elevation to the stakes. It shows in the level of thought they give even small details, finding clever ways to serve payoffs as well as work emotional investment into a briskly told tale. Writer-directors Brett and Drew Pierce (Deadheads) have a great affection for their characters as well as their material. Overall, it's a very fun movie that can switch modes when needed, being funny or sincere or spooky, and it does each with great finesse and execution. The new-kid-in-town and young crush story elements work as well as the creepy horror. The Wretched is barely 90 minutes long and is splendidly plotted with every scene being meaningful, advancing the plot, shading characters and conflicts, heightening the stakes and suspense. Nobody will believe him, especially with his past drug abuse, so he takes it upon himself to investigate the strange goings on, Rear Window-style, and potentially save lives once the witch is forced to jump into a new host and terrorize a new family. He's convinced that his neighbor is really a witch who kills children and then fiendishly erases the memory of those children from the families she has inserted herself into. We follow a teenager who is staying with his father over the summer he's also recovering after a drug-related accident. Very reminiscent of Fright Night, this movie feels like a lost relic to 80s coming-of-age movies and horror-next-door thrillers, and it's generally great.
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